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Unique Accidentals: 3-4
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SDG
Tuba mirum spargens sonum, Requiem Mozart, KV 626.
SDG
3:26 Est. Play
Time
63 Measures
1,101Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Violoncello
e]
Basso
 Bass 21 0 7 6 90%
Violino
I.		 Treble 25 1 10 5 89%
View all 24 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[Violoncello
e]
Basso
 Bass 21 0 7 6 90%
Violino
I.		 Treble 25 1 10 5 89%
Violino
II.		 Treble 18 2 5 5 89%
Contrabass Bass 20 0 6 6 83%
Viola
I,
II.		 19 7 6 5 79%
Tenore
solo		 Treble 13 0 5 7 45%
Basso
solo		 Bass 18 0 5 8 41%
Soprano
solo		 Treble 9 0 2 6 32%
Tenor Treble 13 0 5 7 30%
Treble 13 0 5 7 30%
Treble 13 0 5 7 30%
Alto
Solo		 Treble 12 0 4 7 27%
Treble 12 0 4 6 11%
Bass Bass 16 0 3 8 25%
Bass 16 0 3 8 25%
Bass 16 0 3 8 25%
Trombone Bass 16 0 4 6 25%
Bass 16 0 4 6 25%
Trombone
[tenore]
solo		 16 0 4 6 25%
Soprano Treble 9 0 2 5 16%
Treble 9 0 2 5 16%
Treble 9 0 2 5 16%
Alto Treble 12 0 4 6 11%
Treble 12 0 4 6 11%
 
27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach
SDG
0:43 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 13 0 2 4 100%
Treble 11 0 2 4 50%
Horn
in
F		 Treble 6 0 0 4 100%
Oboe Treble 6 0 0 4 100%
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 22 0 4 5 100%
Viola 10 0 2 5 100%
Contrabass Bass 18 0 3 3 45%
Violoncello Bass 18 0 3 3 45%
Tenor Treble 2 0 0 1 8%
 
42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 5 6 100%
Tenor/Bass Bass 24 0 6 6 100%
Contrabass Bass 17 0 4 5 46%
Alto Treble 3 0 0 2 6%
 
103. Freu' dich sehr, o meine Seele (Tröstet, tröstet meine Lieben). BWV 30/6.
SDG
0:58 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 6 100%
Tenor/Bass Bass 24 0 7 5 100%
Contrabass Bass 15 0 4 4 49%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 6 100%
Tenor/Bass Bass 24 0 7 5 100%
Contrabass Bass 15 0 4 4 49%
 
239. Mach's mit mir, Gott, nach deiner Güt (Durch dein Gefängniss Gottes Sohn). BWV 245/22.
SDG
0:47 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 4 100%
Contrabass Bass 14 0 3 2 47%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 3 100%
Tenor/Bass Bass 22 0 5 4 100%
Contrabass Bass 14 0 3 2 47%
 
266. Nun lasst uns Gott, dem Herren. BWV 165/6.
SDG
0:24 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 5 100%
Tenor/Bass Bass 18 0 4 3 100%
Contrabass Bass 12 0 3 3 47%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 5 100%
Tenor/Bass Bass 18 0 4 3 100%
Contrabass Bass 12 0 3 3 47%
 
72. Du, o schönes Weltgebäude. BWV 56/6.
SDG
1:14 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 6 5 100%
Contrabass Bass 15 0 4 4 49%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 6 5 100%
Contrabass Bass 15 0 4 4 49%
 
90. Es ist das Heil uns kommen her. BWV 117 #4/9
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 24 0 5 5 100%
Contrabass Bass 18 0 4 3 48%
Violoncello Bass 18 0 4 3 48%
 
256. Nun bitten wir den heiligen Geist (Du süsse Liebe, schenk' uns deine Gunst). BWV 169/7
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 2 5 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 17 0 3 4 47%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 2 5 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 17 0 3 4 47%
 
89. Es ist das Heil uns kommen her. BWV 251. Trauungschoral.
SDG
0:51 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
in
F		 Treble 13 0 2 6 100%
Soprano/Alto Treble 17 0 4 3 100%
Tenor/Bass Bass 19 0 4 4 100%
Contrabass Bass 14 0 3 3 49%